Snippets of Conversation

One of the most often used opening scenes in movies is when the camera follows a man walking along a street. The man inevitably crosses the road, enters a shop or gets into his car just as the main characters appear. The camera stops moving so that it can concentrate on the main characters, leaving the man in the opening scene to move off camera, never to be heard from again. He was merely an excuse for the camera to get from its starting position to where the main characters are located.

I wonder what the "opening scene man" is thinking as he plays his part. Is he measuring his strides? Is he trying desperately to walk the route without tripping over? Well, he certainly isn't trying to remember his lines. After all, the "opening scene man" never talks.

It could be that the "opening scene man" is not thinking anything in particular. Perhaps he is a professional "opening scene man" who has done this opening scene many times and just wants to finish it so that he has enough time to get into character for his next opening scene for another movie in another sound studio somewhere else.

But, really, the "opening scene man" is just an irrelevant snippet of the movie. He plays no important role, his presence has no effect on the plot and he is only there because the viewer needs to get perspective before the movie starts. But that is precisely why the "opening scene man" is vital to the film. Without him you won't easily be able to determine the time-period in which the movie is set, the location and so on. Without the "opening scene man", the start of the movie would be like walking into the middle of a conversation without knowing the context.

Have you ever done that? I mean, have you ever walked into the middle of a conversation but you don't have a clue what the background to the conversation is? A variation on this theme can often be found in movies, especially if one of the characters is walking through a party scene. Inevitably there will be a group of people in the background listening to someone tell the end of the joke. The audience in the film laughs raucously and the viewers are left wondering what the joke was. Sometimes it ruins the whole movie for me, especially if I spend the rest of the film wondering what could possibly have been so funny.

If I come across good ones, I collect them and write them down. Some of them are very amusing. Here are a few:

"...even though it's short, he puts it on at night"
"...so stop breathing"
"...then the doctor said, "Oh, I thought it was a fish!"
"...or your head will feel like an inflated latex watermelon"

Actually, I picked up this gem today "...It's very dangerous. I mean, all you can do is eat the peach". For hours I wondered what they could possibly have been talking about. I guess I'll never know.

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